À l'origine de la marqueterie, il y

À l'origine de la marqueterie, il y a l'incrustation. Pratiquée dans la décoration d'objets en bois depuis le début de l'antiquité égyptienne, cette technique consiste à creuser le bois pour y placer des morceaux d'une autre matière (os, corne, ivoire, pâte de verre, pierre, galuchat…) ou d'une essence différente. Cette technique décorative fut très utilisée (parfois sur le mobilier de personnes moins aisées, les incrustations sont peintes en trompe-l'œil) et s'est vite diffusée dans tout le monde antique. Quoiqu'utilisée ponctuellement, l'incrustation ne survivra pas à l'empire romain.

C'est au xive siècle que les Italiens réutilisent cette technique pour orner le mobilier. La marqueterie atteint son apogée aux xviie et xviiie siècles sous les styles Louis XIV et Louis XV notamment1. Ensuite la marqueterie est délaissée au xixe siècle, utilisée principalement en frisage (style Louis-Philippe). La fin du xixe siècle voit renaître cet art pour magnifier formes naturelles et torturées de l'Art nouveau.

ผลลัพธ์ (อังกฤษ) 1:

Originally of marquetry, there is the overlay. Practiced in the decoration of wooden objects since ancient Egyptian times, this technique involves digging wood to place pieces of another material (bone, Horn, ivory, glass, stone, galuchat...) or of a different species. This decorative technique was widely used (sometimes on less well-off people furniture, inlays are painted in trompe l'oeil) and quickly spread throughout the ancient world. Although used occasionally, the overlay will not survive in the Roman empire.It is in the 14th century the Italians to reuse this technique to adorn the furniture. Marquetry reached its apogee in the 17th and 18th centuries under Louis XIV and Louis XV particular.1 styles. Then the marquetry is neglected in the 19th century, mainly used in curling (Louis-Philippe style). The end of the 19th century was reborn this art to magnify natural and tortured new art forms.

ผลลัพธ์ (อังกฤษ) 2:

Originally marquetry, there inlay. Practiced in decorating wooden objects from the beginning of Egyptian antiquity, this technique involves digging the wood to place pieces of other material (bone, horn, ivory, glass mosaic, stone, stingray ... ) or a different essence. This decorative technique was widely used (sometimes on furniture less wealthy, inlays are painted in trompe l'oeil) and quickly disseminated throughout the ancient world. Quoiqu'utilisée punctually inlay will not survive the Roman Empire. This is the fourteenth century that the Italians recycle this technique to decorate furniture. Marquetry reached its peak in the seventeenth and eighteenth centuries under Louis XIV and Louis XV styles include1. Then marquetry is abandoned in the nineteenth century, mainly used in curling (Louis Philippe style). The late nineteenth century saw reborn this art to magnify and tortured natural forms of Art Nouveau.

ผลลัพธ์ (อังกฤษ) 3:

At the origin of the marquetry, there is the inlay. Practiced in the decoration of wooden objects since the beginning of the ancient Egyptian, this technique is to dig the wood for placing pieces of other material (bone, horn, ivory, pulp of glass, stone, Galuchat Salon etc. ) or of a different petrol.This decorative technique was very used (sometimes on the furniture of less affluent, the inlays are painted in trompe-) and was quickly disseminated throughout the ancient world. Although used occasionally, the overlay does not survive to the Roman empire.

This is the fourteenth century that the Italians reuse this technique to decorate the furniture.The marquetry reached its apogee in the seventeenth and eighteenth centuries under the styles Louis XIV and Louis XV notamment1. Then the marquetry is neglected in the nineteenth century, used primarily in curling (style of Louis-Philippe ). The end of the nineteenth century reviving this art to extol natural forms and tortured of the Art Nouveau.