Felice BEATO (1832-1909)Takou, angl

Felice BEATO (1832-1909)
Takou, angle du fort par lequel les français sont entrés
Tirage sur papier albuminé, monté sur page d’album.
Légende manuscrite en allemand et daté 21 aout 1860.
24,2 x 29,5 cm
Laprise des forts de Takou constitue une étape décisive de la progression des troupes franco-britanniques vers Pékin. Ils furent assaillis l’un par les Français l’autre par les Anglais. Ils étaient protégés par de hauts murs d’enceinte et de larges fossés hérissés de pieux que l’on apperçoit sur cette photographie.
Bibliographie :
– “Of battle and beauty Felice Beato’s photographs of China” D. Harris, Santa Barbara Museum of Art. n° 15.
– “Felice Beato en Chine, photographier la guerre en 1860″, Anne Laure Wanaverbecq, Somogy Edition d’Art, p. 67.
– “History of photography in China 1842 – 1860″ Terry Bennett, Quaritch, 2009, fig 120 p. 148.
– “Felice Beato, a photographer on the eastern road” Anne Lacoste, The J. Paul Getty Museum, n° 103.
Un tirage similaire est conservé au J. Paul Getty Museum de Los Angeles

ผลลัพธ์ (อังกฤษ) 1:

Felice BEATO (1832-1909)Lillian, angle of the fort by which the french have enteredPrinting on albumen paper, mounted on album page.Handwritten legend in German and dated 21 August 1860.24.2 x 29.5 cmLaprise of the forts of Lillian is a decisive stage in the progression of the Anglo-French troops towards Beijing. They were assaulted by the French one by the English. They were protected by high walls and wide ditches spiky piles that are revealed in this photograph.Bibliography:-"Of battle and beauty Felice Beato's photographs of China" D. Harris, Santa Barbara Museum of art. No. 15.-"Felice Beato in China, photographing the war in 1860″, Anne Laure Wanaverbecq, Somogy Art Edition, p. 67.-"History of photography in China 1842 - 1860″ Terry Bennett, Quaritch, 2009, fig 120 p. 148."-"Felice Beato, a photographer on the eastern road" Anne Lacoste, The J. Paul Getty Museum, no. 103.A similar draw is held at the J. Paul Getty Museum in Los Angeles

ผลลัพธ์ (อังกฤษ) 2:

Felice BEATO (1832-1909)
Taku angle by which the strong French entered
Print on albumen paper, mounted on album page.
Legend handwritten in German and dated August 21, 1860.
24.2 x 29.5 cm
Laprise Taku forts is a milestone in the progress of British and French troops to Beijing. They were attacked by the French one another by the English. They were protected by high walls and wide ditches bristling piles that you will see on this photograph.
Bibliography:
- "Of Battle and beauty Felice Beato's photographs of China" D. Harris, Santa Barbara Museum of Art. # 15.
- "Felice Beato in China, photographed the war in 1860," Anne Laure Wanaverbecq, Somogy Edition Art, p. 67.
- "History of photography in China 1842-1860" Terry Bennett, Quaritch, 2009, p 120 fig. 148.
-. "Felice Beato, a photographer on the eastern road" Anne Lacoste, The J. Paul Getty Museum, 103
A similar drawing is held at the J. Paul Getty Museum in Los Angeles

ผลลัพธ์ (อังกฤษ) 3:

Felice BEATO (1832-1909)
Takou, angle of the fort by which the French are entered
drawing on paper albumin, mounted on album page.
handwritten Legend in german and date August 21 1860.
24.2 x 29.5 cm
Laprise forts of Takou constitutes a decisive step in the progression of troops franco-British toward Beijing. They were assailed by the French the other by the English.They were protected by high walls and large chasms bristling with wishful thinking that the fundamentals on this photograph.
Bibliography :
- "Of battle and beauty Felice Beato's photographs of China" D. Harris, Santa Barbara Museum of Art. 15.
- "Felice Beato in China, photographing the war in 1860 ", Anne Laure Wanaverbecq, Somogy Edition of Art, p. 67.
- "History of photography in China 1842 - 1860" Terry Bennett, Quaritch, 2009, fig 120 p. 148.
- "Felice Beato, a photographer on the eastern road" Anne Lacoste, the J. Paul Getty Museum, 103.
a draw similar is retained at the J. Paul Getty Museum in Los Angeles